La macchina delle immagini di Alfredo C.

The Image Machine of Alfredo C.

April 1939. Fascist Italy occupies Albania. Thousands of Italian workers, settlers and technicians are transferred to the country. November 1944, Albania is liberated. The new Communist government closes the borders and places dozens of conditions on Italy for the repatriation of its citizens. In 1945 27,000 Italian veterans and civilians were still held in Albania. Among them there is a cameraman, Alfredo C. An operator of the Fascist propaganda effort, he has been traveling around Albania with his movie camera for five years. Before that, for almost two decades, he had immortalised the great machine of the regime. Now, by a twist of fate, being the only cameraman around, Alfredo has been asked to work on behalf of Communist propaganda. Shut up in his storeroom, surrounded by thousands of reels of film, Alfredo watches what he has shot again on an old Moviola. It is his film that we are watching. And perhaps, not his alone.

Format
Movie
Episodes
1
Episode Duration
76 mins
Status
Finished
All details and tags
★80% Average★2 Users

Details

Type
Movie
Format
Movie
Episodes
1
Episode Duration
76 mins
Status
Finished
Start Date
Mar 7, 2022
Season
2022
Average Score
80%
Mean Score
80%
Ratings
2
Popularity
2
Favorites
0
Reviews
0
Producers
Istituto Luce Cinecittà
Genres
Documentary, Drama, History
Country
IT
English
The Image Machine of Alfredo C.

Description

April 1939. Fascist Italy occupies Albania. Thousands of Italian workers, settlers and technicians are transferred to the country. November 1944, Albania is liberated. The new Communist government closes the borders and places dozens of conditions on Italy for the repatriation of its citizens. In 1945 27,000 Italian veterans and civilians were still held in Albania. Among them there is a cameraman, Alfredo C. An operator of the Fascist propaganda effort, he has been traveling around Albania with his movie camera for five years. Before that, for almost two decades, he had immortalised the great machine of the regime. Now, by a twist of fate, being the only cameraman around, Alfredo has been asked to work on behalf of Communist propaganda. Shut up in his storeroom, surrounded by thousands of reels of film, Alfredo watches what he has shot again on an old Moviola. It is his film that we are watching. And perhaps, not his alone.

Immersion

Japanese

Characters

Staff

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