Blood, Guts, and Dysphoria: Projected Visuals

Part of a larger thesis examining the importance of trans- narratives in horror films, this piece utilizes recorded performances, AI, and clips from horror films that were examined in the thesis. Originally projected behind a live performer at a thesis conference, these visuals, mixed with a Helmut Lachenmann composition, guide the viewer through a disorienting exploration of transformation as it relates to the horror genre.